Massimo Bartolini. Due qui / To Hear
Documentary film / Selected Project
Documentary film
Massimo Bartolini. Due qui / To Hear
Direction: Matteo Frittelli
Production: Alto Piano Studio
Editing: Fabrizio Farroni
DOP: Fabrizio Farroni, Alessandro Passamonti
Camera: Gabrio Bellotti, Andrea De Fusco, Fabrizio Farroni, Johannes Menghi, Alessandro Passamonti
Post Production: Filippo Prestinari
Editing Assistant: Cristel Girotto, Sathya Piatto, Alessandra Redondi
Sound Recording: Attila Faravelli, Filippo Tocchi
Audio Editing & Mixing: Luigi Chelli, Attila Faravelli
Executive Producer: Agostino Osio
Producer: Martina Maccagno
DIT: Andrea Favia
Data Manager: Piergiovanni Turco
Translations: Arran Turner
Featuring interviews with: Caterina Barbieri, Massimo Bartolini, Gavin Bryars, Luca Cerizza, Kali Malone
Direction: Matteo Frittelli
Production: Alto Piano Studio
Editing: Fabrizio Farroni
DOP: Fabrizio Farroni, Alessandro Passamonti
Camera: Gabrio Bellotti, Andrea De Fusco, Fabrizio Farroni, Johannes Menghi, Alessandro Passamonti
Post-production: Filippo Prestinari
Editing Assistant: Cristel Girotto, Sathya Piatto, Alessandra Redondi
Sound Recording: Attila Faravelli, Filippo Tocchi
Audio Editing & Mixing: Luigi Chelli, Attila Faravelli
Executive Producer: Agostino Osio
Producer: Martina Maccagno
DIT: Andrea Favia
Data Manager: Piergiovanni Turco
Translations: Arran Turner
Featuring interviews with: Caterina Barbieri, Massimo Bartolini, Gavin Bryars, Luca Cerizza, Kali Malone
The documentary Massimo Bartolini. Due qui / To Hear, provides an in-depth look at every stage of the production, set-up and installation of Massimo Bartolini’s project for the Italian Pavilion at the 2024 Art Venice Biennale. In dialogue with curator Luca Cerizza, the artist involves musicians, writers, performers, engineers and artisans – including Caterina Barbieri, Gavin Bryars, Kali Malone, Nicoletta Costa, and Tiziano Scarpa – to bring a complex project to life, where art, music, technology and engineering converge. The result is an immersive experience unfolding in the interior and exterior spaces of the Italian Pavilion, where music, sound, resonance and listening play a central role in a large-scale choral project. As the film unfolds, we witness the conceptual organisation and technical realisation of the installation, where the voices of the protagonists clarify the various issues addressed and stimulate new reflections on the themes of listening, representation and audience participation.
The documentary Massimo Bartolini. Due qui / To Hear, provides an in-depth look at every stage of the production, set-up and installation of Massimo Bartolini’s project for the Italian Pavilion at the 2024 Art Venice Biennale. In dialogue with curator Luca Cerizza, the artist involves musicians, writers, performers, engineers and artisans – including Caterina Barbieri, Gavin Bryars, Kali Malone, Nicoletta Costa, and Tiziano Scarpa – to bring a complex project to life, where art, music, technology and engineering converge.
The result is an immersive experience unfolding in the interior and exterior spaces of the Italian Pavilion, where music, sound, resonance and listening play a central role in a large-scale choral project. As the film unfolds, we witness the conceptual organisation and technical realisation of the installation, where the voices of the protagonists clarify the various issues addressed and stimulate new reflections on the themes of listening, representation and audience participation.
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